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design competitions


I usually stay away from design competitions, especially since the result is often measured more like the grand gesture than to the solution of the formulated question. One
personal invitation of the Paris agency Praquin then I could resist no longer, and submitted two designs for the competition "Design of the day", which runs until the end of the year. The SOLITON was not excellent, the UHRZAHL managed the design of the day for 13.12. At the same time I had the good fortune of being selected by the jury, in the "DESIGN AND DESIGN BOOK OF THE YEAR" presented to. been

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New email address

As good and Google Mail is an email address xxxxxxxxxx@googlemail.com bit too long (especially on printed documents) and in view of my growing email traffic I have now set up a new contact email address. This is: hello Design magazine + design me a visit during the Light + Building for an interview. I had the chance to talk about the design process of my work. Her introduction:

. "The result is always a clear form, without the-complexity of the idea is lost Christos Vittoratos work reminds us how easy it can fit to knowledge."

website of the magazine: www.designmag.gr

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Interview + design




In Klingspormuseum I met Ahn Sang Soo, which is currently held a retrospective of his works. Our conversation he held with a graphical note firmly in his notebook and asked me for a photo for I should hide my right eye with your hand. The
a graphic designer so much attention gets as Ahn Sang-Soo is rare and one would almost think he would be so deep into the celebrity world penetrated. The opposite is the case shows how well his designs: DiePlakaten and writings testify to the elegant restraint and score points by which the observer only at second glance, the significance of what is seen is responsible, all the more intense. Almost a virtue when everything just "buy me" cries, and differentiation is rare.

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Ahn Sang-Soo in Offenbach

Apart from the fact that a quotation in the German translation "sail on wine-colored seas to other people" loses nothing of its attraction, it has become almost synonymous with Greek visitors to Frankfurt.

What promotions, expensive tourist guides and travel reports make it difficult, is a sign on the Iron Bridge succeeded. It is also a blog: the hospitality of Frankfurt can be summarized by a quote other posts to see the origin on the other hand as a symbol of Frankfurt's melting pot, which takes place in ancient times the lowest common denominator. were expected, and my visitors from Cyprus before the "πλέων ἐπὶ οἴνοπα πόντον ἐπ 'ἀλλοθρόους ἀνθρώπους want, "and pulled out the camera. Whether I have read the Odyssey. "Yes, but in German, and it is one of my favorite books."

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artwork on the zeal web

The term classic is used very often inflationary. Particularly old "material" and "spiritual" products, attempts of the title "classic" give a symbolic value.

classics do not deserve to be honored as such, but read, wrote bitter times, an author of his books, although everyone appreciated but no one las. At that time, that status certainly did not have such a high material value as today. The value of the name of Mozart is estimated for Austria in the Mozart year to 5 billion euros. In classic product

understand we mainly consumer goods for daily needs, taking the lead and still benefit from an improved image, such as Maggi, Odol, Nivea, Tempo. These have often been expanded to entire product family, and are adapted to the particular time. design classics are also former avant-garde products that benefit from a still image. However, you can be identified with their product name mostly by insiders, even if they are omnipresent .... [Continue reading. Pdf download] gives

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product classics, design classics

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UHRZAHL

Prof. saint warned in an interview earlier times, as a designer to design ever so slightly banal as a candlestick. I probably would because of this Council never encountered such a task. I like some more tea lights, since they have candles in contrast to a long burn time, hardly blind and low cost. Still, I had refrained from use on a covered table, since even appropriate supports, have little chance of the tea light on the level, and I'm in doubt, do not want to burn the shirt sleeve.

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Candles & Candle Holder REVERS

currently running at Heintze & Blanckertz the preparations for the fair in full swing, as of 12 to 16 March in Dortmund held the Creativa. Overall, 4-5

presents new products I've designed this year. The response will be interesting insofar as we advance with almost all of them into new product categories, even if we remain faithful to the material on birch plywood.

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fair Creativa Dortmund

The conventional model in the design process may have lost its role, when you think about the possibilities of rapid prototyping. Even temporary 3D models using unclean Surfaces can "print" still good. Nevertheless

is particularly the previous model out of cardboard for some projects, patched together and stapled at the desk indispensable. A pocket pattern of slightly thicker cardboard possibly covered with the right fabric can be instructive, as the model in the computer is not, and I work on both simultaneously.

Photo: Models of the candle / tealight holder "REVERSE" on the CNC milling machine for Heintze & Blanckertz, far right, the previous model made of cardboard.

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preliminary models

Postmodernism Swatch celebrated as an icon of the individual. Everyone could also be customized and can include, or even daily dip in new consumerism. The aftertaste of the disposable and the shrinkage of watch this section of the product design is now passed into history. For a year Zipitbag enriched the pocket area. Each cover of the bag has two sides and can be zipped at will. The lid can be exchanged or even buy more. The success of the Zipitbag are right, the one year can already point to good sales figures, and in Sao Paolo in Singapore is available. Here, however, primarily as an ambassador for the German design. From the Zipitbag principle is now developing a family of other accessories, I'm working on currently. And if postmodernism comes back, it will be more sustainable ...


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Zipitbag

The most popular product on the Euromold workshop was the "OBJET EDEN 250" 3D printer. The desire to make an already completed design in 3D resulting pressure (at the workshop to visitors to explain this), I met with the shell Y-ROSA. Thus four copies of the fruit shell were scaled in scale, which were presented during the Designers Night.
The design was actually designed for the processing of beech plywood, one thing that was no obstacle that can be achieved especially with the 3D printer virtually all forms.

I have a small film made of a bit take one of the fascination of the 3D printer: