Uschi Obermaier, "The wild life, role models and decals Geschrieben von: Felix Menzel
Montag, den 14. Juni 2010 um 21:02 Uhr
The Notebooks of Malte Noteboo ^ by Rainer Maria Rilke begin with some reflections on death. The protagonist is of the opinion that one before, "the death was in itself like the fruit's core." This had been a "a peculiar dignity and a quiet pride." Why is this important? Because the experience of the nearness of death is a necessary experience to grow into a model of immense size. Against this background, once the wild life of Uschi Obermaier, consider ...
The Kommune 1 - The Cultural Revolution in private
2007 film adaptation of the autobiography of the 68 sex icon was released. The free iconic story of the most stirring years of the life today 63 year old Obermaier characterized their way from the dusty, Bavarian parents house to the death of her longtime partner Dieter Bockhorn (David Scheller) to 1983rd Her parents have criticized the aspiring fashion model, because they "looked like a Schlampn. Mama Obermaier finds instead: "For you to be something decent"
But Uschi plays from other grades. After going through a photo shoot for the magazine in '68 twen parties had more or less known, was quite by chance she gets to the community first There will not be long until an affair with Rainer Langhans (Matthias Schweighöfer) underway. The political spirit of the Communards, however, blows past her. In the film, is played by Natalia Avelon Obermaier over almost silly and does not understand a word when her roommate of free love or cultural revolution philosophize
The Left fails to reality
of Manchester Communards as "sub-Maier," ridiculed brunette beauty provided, however, for the pictures, which gives the 68ers the necessary sex appeal. That's it then already. The rest of your life is a relationship theaters including the failure of all sexual utopias of the left. Ultimately, the nature triumphs always.
The idea of free love follows a natural romance the impulsive nature of man fails. Therefore, all these experiments end in an evasive maneuver toward hedonism that brings sexual liberation rather than arbitrariness or indifference. The concept of free love is based on a goodness of human emotion and argues that we must surely must be such as one's inner voice spoke Freudian says "it".
The sexual desire for power
This "It" is now aiming not just for pleasure, but also for power. Also, the sexual desire is thus a "will to power". Evolution Because the man met his lust for power by identifying and Verna's women. However, they fail in their instinctive power given target, if they manage to collect revenue and to attract a man to himself.
In Obermaier and their men experience this pattern evident every time. According to the movie at some point their relationships reach a point where the balance of power tipped in their favor. Dieter Bockhorn undergo, at one point by saying: ". You are the strongest of the Ancient World" This says, surprisingly, one that Obermaier dressed with his prestige and irrepressible self-consciousness has. But that just serves only as a lure and not immunized against a creeping loss of self-assertion forces. Mick Jagger (Victor Norén) and Keith Richards (Alexander Scheer) by the Rolling Stones, it was made the same way. They also score points with their first appearance and crawl Obermaier later behind just yet.
"You have fear of fucking"
The film emphasizes Obermaier, "I never wanted to be the wife of one man." The setting and the prominence of her ex-boyfriends still supports a tabloid interest. Rainer Langhans has, for example, animal excited about the wild life, because he comes across a bit uptight and it's former playmate "You afraid of fucking!" To the head throws. Even today, he justifies himself and his project of life of free love, although he must have felt at first hand, that jealousy and possessiveness something human, all too human.
But why the fuss? The life of Langhans and Obermaier appears only as a wild, when really in the box lacked something special. Otherwise they are as pale as the average person. This is common today, but an absurd measure of vitality obscures the truly great achievements that can provide a man if he deliberately chooses to be more than just an engine system.
Since Rilke comes with his young poet Noteboo ^ into play. This is conscious at a young age about the fact that it is not enough to issue his usual emotional life. Especially today, defines a completely superficial sense concept of public debate and thus also the banter between Uschi and Rainer, for something-feeling is not to have laid the basis for a sexual relationship. It begins, rather, when in listening inside himself, the discovery of one's own breathing and blood circulation.
decal instead of a model
Rilke can tell his protagonists, we should "mind candy and collect a lifetime and a long one if possible, and then, at the very end, perhaps we could then write ten lines, the well are. For poems are not, as people think, emotions (one has emotions early enough) -. They are experiences "These result in dangerous conditions and serious tests. Anyone who has experienced the nearness of death in disasters, wars or personal misfortunes and to have the gift to translate these experiences in culture, can be a real role model.
Uschi Obermaier has indeed need to experience the 1983 death of her partner Dieter Bockhorn, but it is not yet matured into a model, but remained a Abziehbildchen.
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