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" Whiteout "25 + 27. 1 in the ZDF

selling author Ken Follett

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Ken Follett praises "Whiteout" film

praises "Whiteout" film

third December 2009

HAMBURG. A visibly cheerful Ken Follett takes place between his TV producer and an interpreter. The ZDF but would not have to actually book, the bestselling author of London speaks clear and beautiful English gentleman. "You can be sure: If I were not impressed by 'Ice Castles', I would not be determined here."
Follett had been present during the shooting and admired director Peter Keglevic because these keep the overview had. His favorite character in "Whiteout" (original title) is the way, Daisy, played by Anneke Kim Sarnau. A female, brutal fighting machine who just enjoy her own violence added. A character that is normally occupied more often male, and in the book actually takes up only a minor role. ZDF broadcasting the two-parter on 25 and 27 January from. The screenplay was written by Olaf Kraemer and Beatrix Christian. (Kaf / jac)

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Olaf Kraemer and the last Hours of Romy Schneider

Olaf Kraemer and the last hours of Romy Schneider

studio guest Novel "the end of a night" is the commitment of the
Schneider, a German publisher to write down their memoirs
. To this end, it goes into the night Saturday at Pentecost 1982
painful on the way back
by her dramatic life. She remembers looking out photos
and lived through in this way essential again.
Shrouded end of a legend. Kraemer uses biographical data as
scatterings for their help with the deep inner conflict of a woman
understand, that sudden, unexplained death still leaves room for endless
mythologizing. What this last night had played out, what would this woman
can proceed, the reader is told
as if he were a shadow behind her, as if one could see
the pictures in their hands and look into their soul. He sees
her mother, an ardent admirer of Hitler, sees her
Jewish husband, the children of Daniel and Sarah, and of course
the other men of their lives.
He sees driving the re artist went through dramas torn woman
in the night, through dark corners of Paris,
back the search for drugs to 'Le Petit Docteur "and toward
pharmacies, as they push it further, into the house and
the edge of hope for a new beginning, at the End they
the fatality but does not escape. Kraemer
attempt to explain why the death of Romy Schneider
could not escape, while their four year old daughter slept next door
is a balancing act between myth and biography.
"Romy" in the ARD
The SWR formed under the auspices of about 100 minutes long
first German film entitled "Romy"
over the life of the "Sissi" actress will be on 11 First broadcast in November
clock at 20:15. Actress Jessica Schwarz
embodies the legendary Romy Schneider. Following the documentary follows
"Romy Schneider - A close-up."

© 2009 CENTRAL RUNDFUNK
Last updated: 10 November 2009, 15:07 clock

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Olaf Kraemer, "adorns coins Olaf Kraemer" Freedom for the fictional Romy

ORF shows on Wednesday the new movie Romy. At the same time allows the German author Olaf Kraemer his fictional story to sell Schneider again last night uncensored.
Romy Schneider is 27 years after her death back in vogue, as it seems. The ORF on Wednesday announced the long-Romy Schneider-biopic of the ingenious-compelling title "Romy" with Jessica Schwarz.

As luck would have it is time for the film's release on 11 November, a different story Romy Schneider are uncensored sale again. No film, but the novel by German author Olaf Kraemer der in „Ende einer Nacht“ den Abend vor Schneiders Tod (fiktiv) nachstellt. Mitten in der Nacht des 29. Mai 1982 verlässt Romy das Haus, weil sie nicht schlafen kann, streift durch Paris und sinniert über ihre Männer, ihre Rollen und das Verhältnis zu ihrer Mutter Magda Schneider. Der dritte Ehemann von Romys Mutter, Horst Fehlhaber, hat kurz nach Erscheinen des Buches im Herbst 2008 eine Unterlassungsklage eingebracht und gefordert, dass jene Textpassagen, in denen Magda Schneider in die Nähe Adolf Hitlers und der Nationalsozialisten gerückt werde („Das Mammerli war ein Nazischatz“), aus dem Buch gestrichen würden. Das Landesgericht Frankfurt entschied, dass sieben Passagen vor der Auslieferung geschwärzt would. Publisher and author lodged an appeal.

mid-October, the Frankfurt court ruled that the novel may appear again largely unchanged (except for one sentence). With or without the incriminating phrases: The fictional interior monologue can learn more about each one if this woman than the lavish TV movie. awa

Olaf Kraemer: "end of a night," Blumenbar, 186 pages, 18.40 euros.

© DiePresse.com 11/07/2009

I Have Bumps On My Stomach Where My Pants

Anti-Zionist liberated zone - the Hamburg Brigitte road

I wanted to make this Sunday a week end in the cinema, before I again on Monday the, silent ' Was forced to yield. In the "B-Movie" announced "criticism maximization" in 1972, `he Doku " Why Israel " by Claude Lanzmann, Jewish partisans against the German occupation of France, dedicated fighter against French rule in Algeria and director of Holocaust documentaries "Shoah" and "Sobibor, 14 October 1943, 16 clock.

But in the anti-Zionist liberated zone, the Hamburg Brigitte street, where the "B-Movie" in the vicinity of the headquarters of the Liberation nationalist banditry, the "B5", is, no cinema is tolerated, the "why Israel ' not notoriously with the geo-political reproduction of the anti-Semitic madness of the conspiracy of the Jewish, anti-nation 'replies, that is, which is in the "B5" Rasool anti-Zionist ideology of Zionism as a state have become "mortal enemy of the people" (as in a brochure enveristischen the KPD / ML, in the "B5" ausliegt to read), but to the fury of that eliminationist pathic anti-Semitism that culminated in the Holocaust, with, is why Israel 'replies.

This Sunday, the anti-Zionist gang was determined to defend their neighborhood Brigitte road against Israel in solidarity people their native fortress against the demands of critical self-reflection, which calls for Palestinian beer in Gaza is not available, paid homage to the 'martyrs' of the pan-Arabists PFLP and the designed "intifada", the German announcement organ of cross-front "Campo Antiimperialista" is geschmökert. Several anti-Zionists withdrew leather gloves on, a mobster with a belt showed his pleasure in punishment and another demonstrated an iron bicycle lock the willingness to manslaughter. With, trained "and punches the call, they should not with the mere physical presence provoke further, showed the testosterone-end men swung Horde, who owns the neighborhood - the anti-Semitic mob. On 20 June tried the same anti-Zionist club a solidarity campaign for the freedom movements in Iran from Israel in solidarity Stalinist people to clean '. Thus they made more than clear who militancy have to apply on German roads: not the German, but the Jewish state of Israel and his friends.

This anti-Zionism Israel objected to the general character of repressive rule and the empirical constitution of the people as they want and go, as a national citizen. Finally, with Fervor of the "self-determination of peoples", including the right to state and national unity, that is to rule over the 'Self' evoked, so that rules out a revolutionary critique of the state of itself. The street is not only in Brigitte birthing Anti-Zionism denies much more that Israel is the one country that is acting as executor of the "self-determination" of the Jewish nation that does not exist the following Stalin. Other hand, Israel is a "nation-state without a nation", a "State of the Tube" (Werner Pirker, in: "JW", 24.04.2002), a "Zionist entity" ("Campo Antiimperialista" Others 28.02.2007), so as the only state to be decorated, anti-nation '. If Israel as a pistol at his temple of the "Arab people" as a "bridgehead" of imperial occupation is denounced, without a single syllable about the self-defense character of that state for the eliminationist anti-Semitism oppressed Jews fall, is already being executed ideally, what the otherwise respectable Zionist shamelessly assigns the unfair anti-Semites: that a Jewish state, like any other Jewish deed, could only be a conspiracy.

As in the anti-Zionist ideology of Israel as the state has become a conspiracy against the 'can appear, so to take this anti-Zionist agitators israel solidarity man only as provocateurs, splitters and decomposers, which in "their" autochthonous peoples invade neighborhood - this is totally devoted to delusional perception is documented in most of the "B5" this Sunday distributed leaflets, is judged in the Israel-friendly cinema as an attack on the village's own anti-imperialist military. Communism 'is here for the defending district band rule, which is executed through the law of the jungle.

people mean by communism, the liberation and anti-Semitism and its geopolitical reproduction, the anti-Zionism, the executive regressive reconciliation consistent with the wrong whole denounce be Israel continues as the only State to defend which has for a undoubted legitimacy as interim expedients of the Holocaust survivors against the anti-Semitic madness, to the wrong all of this is brought by anti-Semitism on the concept, is repealed - tell the nations and states are broken up and finally the free association of free people is yes. Israel therefore has to be the last umbedingt nation state that is to liquidate revolutionary.

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Uncensored night

The actress Romy Schneider, more than 27 years after her death, in the center of a new court ruling that the case law on the freedom of art could reshaping. On Thursday of last week ruled the Higher Regional Court (OLG) Frankfurt am Main, published in 2008 by Blumenbar published novel "End of Night" by Olaf Kraemer could in future be re-sold virtually uncensored (case number 16 U 39/09). Kraemer describes fictional in the book, but similar to the facts last night of movie stars. It accuses the protagonist of her mother Romy Schneider, to have admired Adolf Hitler ("The old man still believes in the guide, and deep down it does it more than sorry that it did not work out with the beautiful kingdom"). complained against the Roman Horst Fehlhaber, 90, third husband of Romy's mother Magda Schneider (1909 to 1996), especially during had celebrated the Nazi period as a film actress successes. Haber's failure to appeal, had several passages of the novel are blackened (SPIEGEL 5 / 2009). The opposition by the publisher Blumenbar against this decision had now success. The passages presented "does not constitute intervention in the post-mortem personality right of Magda Schneider," said the OLG Frankfurt: "Basically, it is not permissible in the context of a work of narrative art picking out individual parts and as expression (or facts) to see subject to the legal obstacles. In recent years, courts have in similar cases - in doubt - such as Maxim Biller's controversial novel "Esra" decided at the expense of artistic freedom. Blumenbar Publishers Wolfgang Farkas measures the ruling against which no review (! Hot must of course revision OK) was approved, so fundamental importance: it was "psychologically important that the author provides a real material can handle fictitious.

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"end of a night" is free

"Nazi shrine" in Magda's garden?

only one set in Romy novel has blackened by the Appellate Court ruling

© are the Berlin literary criticism, 15.10.09

FRANKFURT / MAIN (BLK) - The controversial novel "the end of a night" about the actress Romy Schneider may largely unchanged and unblackened appear. The Higher Regional Court of Frankfurt (OLG) announced on Thursday (15.10.) Instead of the appeals of the Munich Blumenbar publisher and the author Olaf Kraemer and annulled a ruling by the Landgericht Frankfurt. That court had upheld the injunction in February, the third husband of the mother Romy Schneider, Magda Schneider, and applied to the publisher to black several passages (AZ 16 U 39/09).

was in the legal dispute, it went off text, is brought in which Magda Schneider near Adolf Hitler and the Nazis. Schneider, who in the 1930s had lived in the neighborhood of Hitler's Berghof in Berchtesgaden, had been frequently invited by Hitler and been a guest with him, is it in the book. The widower of actress saw this, as well as the district court of a violation of the "post-mortem personality right" who died in 1996, artist.

The Appellate Court judges came to their decision, however, legal to a different assessment. In the constitutional right of freedom of artistic expression had to be above the legal personality of the actress who died, said a court spokesman. Only one set would still be blackened. It had been a "Nazi shrine" to commemorate the Nazi period mentioned, the cutter before the arrival of Allied troops buried in her garden in the spring of 1945, it said in the book. (Dpa / gai)

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"end of a night" before the Court of Appeals

trial about artistic freedom

Court Allows Nazi allusions in Romy Roman


fictional character Romy Schneider: "The Mammerli was a Nazi treasure"

artistic freedom for individual rights: The Higher Regional Court of Frankfurt has a majority of the court-ordered cuts in Romy Schneider-Roman "end of a night" taken back. The reason for the procedure were passages in which it dealt with the role of Romy's mother Magda in the Third Reich.

Frankfurt - In proceedings for the novel "End of Night" by Olaf Kraemer, granted by the Higher Regional Court in Frankfurt on Thursday the appointment of Blumenbar publisher and the author, and thus the primacy of artistic freedom acknowledged before the post-mortem personality right. The Blumenbar informed the publisher.

The novel deals in fictional form with the last hours in the life of Romy Schneider (1938-82). In the 2008 book can tailor the occasion of her decision to write an autobiography, pass their lives inside Revue. She is also the role of her mother apart as a successful actress during the Nazi era.
Fehlhaber, the third and last husband, Romy Schneider's mother, Magda had prevented shortly after the publication of the book with the injunction that the novel was published in the original version: seven passages where Magda Schneider's proximity to sizes the National Socialists were described from the perspective of the daughter had to be blacked out prior to delivery.

The High Court decided in its ruling that the disputed statements were covered by the freedom of art and lifted the injunction, therefore - with the exception of a passage - on.

had in the first instance, the Landgericht Frankfurt has already blackened the previously set "The Mammerli was a Nazi treasure" authorized.

In a similar process had confirmed the Federal Constitutional Court 2007 the prohibition of Maxim Biller's novel "Esra".

The author Olaf Kraemer had recently a biography of Uschi Obermaier published: "High Times - My wild life." "End of a night" is his first novel.

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"end of a night" by Olaf Kraemer free again!

Olaf Kraemer Romy Schneider novel may seem almost unblackened

Frankfurt / Main (ddp-hes). The novel "End of Night" by Olaf Kraemer may appear with only one darkness. The Higher Regional Court (OLG) Frankfurt was in a ruling published on Thursday of the freedom takes precedence over the post-mortem personality rights of deceased mother Romy Schneider, Magda Schneider. The decision obtained by the widower Horst Fehlhaber injunction and otherwise the first instance decision of the Regional Court of Frankfurt, which delivered the book because so far only seven blackened passages could be, were repealed by the Court of Appeals, with one exception.

The novel, after describing the affected Blumenbar Munich publishing house in fictional form, the last hours in the life of actress Romy Schneider. In memory of their lives they deal with the role of her mother Magda during the Nazi era and its proximity to leading Nazi politicians. Fehlhaber had obtained an interim order shortly before the Frankfurt Book Fair last year that seven had to be barred. After the Court of Appeals ruling just have to keep a body blackened.

The head of the publishing Blumenbar, Wolfgang Farkas said, the news agency, the Verdict was "important to the literature", in particular to the genre of docudrama. Lawyer Frauke Schmidt-Petersen called it "encouraging that the Court of Appeal has considered the relevant passages as fictitious statements in a real context." The position of the authors of biographical novels was strengthened.

(Reuters)

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"The wild life" at the University

After this film was reviled by the critics often, I consider a vindication appropriate. Sure, there are several lengths, especially in the second part, not all actors are so convincing as the actor Rainer Langhans, and the government can at times even arguing. Nevertheless, it is my opinion to a much better reconstruction of the era than, say, a so-much-praised film like Velvet Goldmine. can
I showed the film to my Italian German students who were subsequently almost shocked that on such a shallow topic rather surprising coming, but perhaps also as a reference be understood that this is just but one of the most interesting These stories, which had to tell the German cinema in recent decades, notably because of their sociological relevance.
What happens there actually in the movie and in the life of Uschi Obermaier? A beautiful model from the deep melancholy Bavarian province gets chance, but not quite unexpectedly, the most radical social experiment that was daring since the time of the Reformation in Germany. From the perspective of a society like the Italian, who has taken a bit less of the positive lessons of an experiment in itself as the German (and maybe some more of the negative), the film is immediately clear that the challenge of the Communards still is able to shake some entrenched civil security. The slogans of Kunzelmann and the drivel of Langhans throw an explosive number of questions: How can we change society? How can we hope to change society if we do not change yourself first? Why do some of us have a family and others want to just avoid it? How can we hope to change society if we do not act publicly and to retreat instead always behind our four walls? How can we use the media for our socio-political goals and how far we can go there? Above all, do we want to change this society at all?
In the case of Uschi Obermaier can probably answer the last question with an unequivocal no. Kunzelmann this had probably figured it because Uschi never made a secret of the fact that in the whole Revolutionsgeschwafel solely interested in the pleasure principle. Letters? Unattractive! Bond to another person or object: No way! Some sort of responsibility: None!
During the Communards were soon overtaken by the bourgeois everyday problems (who cleans the toilet?), The upper Maier for the freedom and pleasure principle realized in the highest degree and maximized. Their behavior is very modern: it is exploiting her shapely body in order to increase their name recognition, and uses these two resources is an embarrassment to fund their own hedonistic objectives. Totally normal, right? Millions of young people dream of doing today or anything else, if they set their beautifully retouched photos on Facebook and nothing else are off, as current by some stupid TV Talk becoming famous, to then market the ephemeral glory of third-rate advertising deals. Such forms of self-alienation in Berlusconi's Italy are not equal more widespread than in Germany, where they probably just tear. The real surprise in the film is, therefore, the discovery that such a conformist and could be considered in the highest degree unfree behavior only a few decades, even as a conformist, liberating, even revolutionary.
How much has not changed since the High Times of Uschi Obermaier? But many do not seem the best! In the 60s it was mainly the Music, which promoted social change, which greatly slowed at least since the advent of MTV. Today, the modern pop music is not just any social or political relevance, but also has all the charm is lost. The film also seems to the Asia of the 70's an entirely peaceful continent that could be revealed by crossing safe as the Hamburg neighborhood, if you only went out of the way the drugs squad. Perhaps this was still the last area of the era of decolonization, in any case, these carefree times since the Iranian revolution in 1979, definitely over, as well as in the film passionately described carefree era of free love, a little later with the onset of immune deficiency AIDS came to an end.

This film shows us, therefore, the social development during the last four decades, such as by time, the treated well by the resulting contrasts in excess of the lead time. As a result, we obtain a most vivid indication where we're heading: the social-revolutionary right-conformist aspirations for freedom on the primacy of hedonistic self-fulfillment through to once again adapted, generalized and banal prostitution. against this sad present stands Uschi Obermaier from then on but still positive, again as an almost believable icon of the feminist movement. Class you will probably not deny, and was a precursor they certainly, even if only for such successful German export items such as Claudia Schiffer and Heidi Klum.

is the end of the film Uschi but still fallen into the trap binding. After the death of her companions, she speaks thus modified the sentence about himself: "I was a selfish monster." A monster that was obviously the model for more than a generation. What the last open question of the film is raised: Does the maximum freedom of the individual only in the personal isolation and perhaps inevitably in the maximum freedom for all?

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"I'll never get out of this world alive"

Hiram "Hank" King Williams was born on 17 9.1923 in Mount Olive, Alabama passed away on 01/01/1953 in Knoxville, Alabama in the back seat of his Cadillac convertible. Hank Williams, who also recorded songs under the name Luke the Drifter is probably one of the most influential musicians and songwriters of all time. The film by Wolfgang Büld and Olaf Kraemer dates back to 1993, but was previously only seen in cinemas. Unobtrusively but insistently, the film conveys the same time this Hank Williams song's inherent sadness, longing and love as well as insights into his life, from childhood to his consistent self-destruction. Against this background look like people like Sid Vicious or Kurt Cobain like little cuddly little lamb. Hank Williams was the first to the insignificance of country music with content, life and true feelings filled, that was revolutionary. However, he has also lived all this consistently, Love, Pain, Drugs & Western Swing in 1952, he therefore excluded from the Grand Ole Opry and never resumed. In the week of his death, he cites the Bill board charts, with the chorus line: "No matter how I struggle and strive, I'll never get out of this world alive". The film conveys all that and much more not only for the brain but also for the heart, on top of that for a couple of extras, including a great half-hour interview with the filmmakers. Including Willie Nelson, Townes Van Zandt, Bill Monroe and Hank Williams Jr., playing time 150 minutes Sound: English with German subtitles, Dolby Digital 2.0, Absoluter Tipp!!!

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"I'll Never Get Out of This World Alive" Romy Schneider

Roots music afficiandos will be delighted to see the first ever DVD release of the HANK WILLIAMS “I’ll Never Get Out Of This World Alive” movie (Urban Misfits). Directors Wolfgang Büld ( “Punk In London”) and Olaf Kraemer (Eight Miles High) worked together to make this intense portrait of seminal Country legend Hank Williams - Filmed on the dusty roads and hometowns of Alabama, searching for Williams’ stations of life, his career, his unforgettable music, his success and his private problems with drugs and alcohol up to William’s tragic death in 1953. Interviews with old companions, friends, band and family members (including: Willie Nelson, Bill Monroe and Hank Williams Jr) coupled with a knowledgeable commentary from Dave Alvin (The Blasters) and some classic music from Hank Williams sr. make this documentary a “must see” movie.

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